Belgian - Musician | March 12, 1985 -
I've learned how to trust someone else's ideas with mine.
Stromae
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That's what's interesting: When you release an album, everyone hears it their own way.
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Maybe I just look at things as a humanist: I like looking at people in a realistic way more than looking at them in a positive way.
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I get the feeling that my songs aren't that dark. There is a cynicism but humour also - it's not depression upon depression upon depression. It's a blend.
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As much as only playing clubs can become tedious, performing in huge venues can also become off-putting. To go from one to the other feels great. And sometimes playing clubs can be even more stressful, because you really have to think about what you're going to tell the audience between songs.
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Music is more than words. It's a visual experience, too, and people really feel my music because of the way I move and put on a show.
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I think the Congolese music is more important in the African community that Rwandan. You know, Rwanda is not musically really important in Africa. It's interesting, of course. But Congolese rumba was so huge in Africa that everybody was inspired by it.
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I'm not making music for old people or young people.
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I was a big fan of G. Dep!
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Being honest and spontaneous is important when making music. But I'm also really logical when I compose.
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I let Brel into my world. What I like about him is the simplicity of his language. It's not so simple to be simple.
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The way we always want to compromise between everything, I think that's really Belgian. I think I'm really Belgian for that, because I never make choices. That's my problem, actually.
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