Belgian - Musician | March 12, 1985 -
I was raised in Brussels as a Belgian but, at the same time, feeling that I wasn't necessarily from here.
Stromae
TimeFeelingSameI Was RaisedHere
The first time I performed on stage, that was almost the first concert I went to, so that was pretty interesting and a bit weird at the same time.
TimeWeirdInterestingFirst Time
There is always a good part in everything.
GoodAlwaysEverythingPart
I always need a reason to do something on stage, for me. I am not judging anyone: there is not a good way; there is not a bad way. You just have to justify everything.
GoodI AmMeYouBadWay
I do not want the things I do to be easy and predictable. I want them to be real.
EasyWantRealBe RealThingsThem
People like Brel were sensitive and vulnerable; on stage, they dared to take risks.
RisksPeopleStageTakeSensitive
WME and IMG both truly understand and value my music and Mosaert's creative visions; they are forward-thinking, all-encompassing, and thoughtful in how they envision me continuing to grow.
MusicCreativeValueMeGrowHow
I already visited Rwanda when I was five, but I don't really remember my roots.
RootsRememberFiveRwandaReally
When I listen to an American singer, I wanna listen to his music in his language, because he's more spontaneous - he's more natural - and I need his point of view. And our point of view here in Brussels is French and Flemish.
MusicLanguageAmericanViewNeed
I prefer to talk about our problems, to be proud of them, in place of trying to hide them. Because you can't. And I prefer to dance, to smile on it, to laugh on it.
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I'm just part of the people.
PeopleJustPart
If we can listen to English music without understanding nothing, and dance on it, and feel the groove, feel the feelings, I'm sure everybody can do exactly the same for each language.
MusicDanceLanguageUnderstanding
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