Belgian - Designer | January 12, 1968 -
In the nineties, it was common to see people who expressed themselves through one designer - the Jil Sander woman, the Martin Margiela woman. You saw her on the street, and you knew who she was.
Raf Simons
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For me, Warhol made so much sense.
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I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
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You can instantly spot a Chanel woman, so I want to develop the Dior woman.
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I like very much to put on fashion shows.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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The Chanel woman? I don't even need to see; I smell her from round the corner.
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We all know and we all perceive Christian Dior in a very specific way.
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I want to get away from couture just being done for a picture or for a single moment on the red carpet. I want to try and convince women that couture can be worn in the day and that there's a reality and relevance there, because that's what Mr. Christian Dior wanted.
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In my opinion, Christian Dior was never, ever theatre.
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My challenge is to find a beautiful balance: to make women beautiful, to make a woman dream to wear a beautiful outfit.
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Fashion is so mass-produced now; I hope there will come a refocus on how people see couture. And I would also hope for a new focus on the craft.
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