Belgian - Designer | January 12, 1968 -
I never really have to sit at a desk thinking, 'What should I do now?' It doesn't work like that for me, and it never has. My thinking process is constant.
Raf Simons
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In fashion design, you can divide people into two groups. You have people who come with an aesthetic that is there forever, even if it evolves. Then you have people I call 'jumpers.' One season it can be this; the next season it's completely something else. I always knew I am more of a jumper.
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If I see a fashion show with literal influences, it doesn't make me think any more. It doesn't make me dream.
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Fashion has a long interest in collaborative situations.
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The fashion thing is something I do, and yes, it is definitely also becoming a part of myself and my personality. It also doesn't really feel like a job, either: it's a dream or a passion or something.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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I'm not so rock and roll. I'm more techno.
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We Belgians love when we can go to L.A. because the city is amazing and the climate is fantastic.
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I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
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I'm shy, but not on a one-to-one basis. Over the years, I have become acclimatised to a bit of publicity.
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My mother was a cleaning lady all her life.
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What I've been conscious of, from the beginning is that I can't be Jil Sander.
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