American - Actor | -
Spies go undercover. They take on different personas.
David Leitch
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The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer.
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The DNA of 'Deadpool' shouldn't change.
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You have to make bold choices to be noticed.
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As a stunt guy, you become a mini-director. You're talking to actors about performance.
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You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed.
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While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way.
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People have given their lives to this industry to make movies compelling.
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Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers.
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Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film.
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There's a lot of directing within the stunt coordinator's job.
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If you have John Goodman in your movie, you want to use him as much as possible.
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