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David Leitch Quotes

American - Actor | -

If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll.

Rock And Roll Suits Trying You Rock

Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and chance.

Character Great Walk Luck Chance

Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked.

Opportunity Yourself You Acting Dive

Some actors have an affinity for dance, and they should explore it, train in it, and get good.

Good Dance Train Explore Get Some

'Atomic Blonde' is about the characters' bigger existential crisis and their world. It's not so much the conceit of the spy game; it's more that being a spy sucks. But we're going to make it fun to watch.

Fun World Game Blonde Crisis More

Coming from an action background, I always approach the action sequences in any script as kind of placeholders.

Action Kind Always Coming Approach

In the stunt world, fights and vehicles are often two different disciplines.

World Two Stunt Different Vehicles

The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic.

Car Fight Fun Ideas World You

I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters.

Action Look Go Want Understand

Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first.

Challenges Think You First Director

As a director, just to be able to jump in to do something that's different, and to explore comedy and be challenged by that, is great. Some directors never get that opportunity.

Opportunity Great Comedy Jump Never

Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing.

Dance Fight Partner Learn You More

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