Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
That's the problem with soaps, of course. The stories never end. They can go on and on and on.
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It's one thing to make something, and then it's another thing to put it in front of other people.
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Stuart Davis has more to do with what the United States is like than Hopper.
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