Lebanese - Musician | 1976 -
Music liberated me.
Yasmine Hamdan
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I have learned to create from a hybridized point of view. It's an asset - something rather liberating.
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I have a sense of mission in a way. I've always worked on being free, as a woman and as an artist.
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When I imagine feminine characters in my songs, they're often bold, strong, passionate, militant, witty, sensual, dangerous. I see those characters as skillful witnesses, figures of change and awakening.
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World music can be sometimes like the lumber room in which all the non-English singers are dumped. When you are singing in Arabic, no matter what your style of music or artistic proposition is, you are faced with some of that reality.
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When I go to Beirut, I don't drive. It's traumatizing to drive there.
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I had the urge to face my own limitation, and I needed to be bigger. I needed to be more professional and be in a more competitive environment because I wanted to grow as an artist. That's why I went to Europe.
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You do not start by working on society; you start by yourself to be a freer person and a more independent person.
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Faith is a very intimate process that involves being sincere and truthful to a spiritual presence.
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I'm Muslim but not really. My family did not care. And I always managed to skip religion classes when I was living in the Gulf, even when they were obligatory.
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I had an Arabic background. but I lived a very scattered childhood. I didn't belong to any one culture, which meant I didn't have musical geographies in my head.
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The Arabic world was very interesting in the 1920s to '60s: there was something booming culturally, and I found my culture very desirable when I listened to these songs.
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