American - Musician | September 30, 1964 -
The biggest sacrifice to me is to not be in an atmosphere where I can keep writing and moving forward.
Trey Anastasio
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I think the Internet is going to open up a lot of possibilities with music, and the shake-up of power is exciting to me.
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I can't wait to play the Hammerstein shows. Things have been exploding in the last week, and that's going to be the exclamation point.
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Anyone who writes knows that ultimately the majority of your time is spent alone in a room with a piano or a guitar, no matter what the project is.
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Things have gone beyond my wildest expectations and dreams, and I feel like I've been given so many blessings in my life, between my friendship with the guys in the band, our wonderful audience, being able to play this music, and then my family.
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My life had become a catastrophe. I had no idea how to turn it around. My band had broken up. I had almost lost my family. My whole life had devolved into a disaster. I believe that the police officer who stopped me at three a.m. that morning saved my life.
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Working on a play is a vibrant and collaborative business. Everyone from the choreographer to the music director to the director to the writers work together toward the same goal, and everyone chimes in on everything.
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I've learned that in the theater the story is everything. Every lyric, every line and every musical gesture has to propel the journey of a given character or the overall plot.
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There's so much excitement around the Phish tours, and if it stopped feeling that way, it would ruin everything we've done for seventeen years.
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The band feels loose in all the right ways, and it's just so cool looking out and seeing all of these people that I haven't seen in a while.
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We always felt like we were throwing a party for our friends, regardless of the size or the place, because we actually were throwing a party for our friends. We've always had a very tight knit community.
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We were always a party band and we used to play outside a lot.
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