South African - Comedian | February 20, 1984 -
During my New York run, I injured my voice badly. I was getting increasingly hoarse, and it finally gave up. The doctor said I had two choices. Either cancel things, or try my luck and perhaps never speak again. That's not much of a choice.
Trevor Noah
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I want my audience to be my friends - that is when they will get the best comedy. If they see me as a performer, they won't get the best show.
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I'm a quarterback. I don't need to score the touchdown. I just need to spot the pass.
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You have two choices, two paths to take as a comedian. You can tackle the difficult subjects and be harsh about it, be brash, be abrasive. But adding hatred to racism is not going to help everybody. So I like to have fun around it.
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I lost contact with my father for many years because of apartheid. For, like, six years, I didn't see my dad. And, now, this was the six years of being a teenager.
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I like the anonymity, the fact that you're a stranger making strangers laugh. You aren't forcing them to laugh - it's involuntary, and that's when they give the most honest response.
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I live in South Africa. I'm proud to live there. I've always said I want to be a comedian from South Africa in the world. I will stay in places for a bit here and there and pop into New York for a while, maybe stay in London for a year, but my home will always be South Africa. I enjoy it too much.
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I live in a country where I'd say nine out of ten people know me when I walk through the streets. There's people taking pictures, there's tabloids trying to make up stories. I'm used to that. The same thing when I'm in Australia or the U.K.: I get stopped.
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The truth is, people don't know me. When people don't know you, they're going to try to get to know you as quickly as possible, because you're now taking the place of somebody that they love dearly, or somebody that they hate sincerely, and so they need to know who you are.
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When you are honest in your comedy, you have to acknowledge the world that you're in. Through a comedic voice, you're talking about what needs to be talked about, whether it's race relations or politics or anything that's happening on a global or an American scale.
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Maybe it's because I come from a very utopian world of being a comedian, but I'm used to many live comedy performances going on in any city I'm in, and each of us is trying to be the best at what we do. I don't think of it as a competition so much as a thriving comedy economy.
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I was doing a show at the Comedy Store which Eddie Izzard saw, and we chatted for a bit afterwards. I didn't really know he was; we just hung out as comedians together, and when he heard my story, he said, 'Why don't you tell that on stage?' I didn't really want to burden people with all that, but he said that I could have fun with it.
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