American - Poet | April 16, 1972 -
I feel that, as a person of color, I've always been interested in the stories that are quiet and the stories that often get overlooked.
Tracy K. Smith
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I first got caught up in this marvelous feeling of being spoken to in that very direct, private, magical way by a poem when I was really young. I was in grade school and had found an Emily Dickinson poem in a textbook.
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I grew up in northern California in a town called Fairfield, which is kind of exactly between San Francisco and Sacramento, a small suburb. And I'm the youngest of five children.
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Brooklyn is kind of my writer's retreat.
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I feel like it's a gift for any writer to be recognized like this.
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We all need poetry. The moments in our lives that are characterized by language that has to do with necessity or the market, or just, you know, things that take us away from the big questions that we have, those are the things that I think urge us to think about what a poem can offer.
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I don't know how anyone can see the Hubble 'Deep Field' image and not feel like something else is going about its business out there.
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One of my main wishes in wanting to write about my mother was to explore the impact of her death on my life, explore our relationship, think about the different versions of myself that I was with and without her. I also had the really strong wish to bring her to life for my children, who were born after she was gone.
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I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make from moment to moment in our lives, and in our frenzy, as something that's as out there as alien life.
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I feel most alive, most electric with faith, breath, and courage, when I think of God as a current that runs through all that is. Not by will or by choice. Not as a benediction but because there are laws even God must obey.
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Lately, I've been thinking about the difference between poetry and prose, and as I've experienced it, poetry is insistent. It allows for images and statements to operate in a single space and resonate powerfully without the application to be elaborated upon and narrated.
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Prose is something that is persistent in staying in one place long enough to not only zero in on the dramatic effect of something that might have happened, or something that might have been seen, but also in watching how it played out and thinking about the cause and the effect.
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