American - Writer | November 3, 1948 -
You know you're getting older when - well, first off, when you read almost any story that begins 'You know you're getting older when.' But you also know it when you not only never heard of the musical guest on a given 'Saturday Night Live' but never heard of the host, either.
Tom Shales
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Technically, 'Kukla, Fran and Ollie' was a kids' show, but adults watched almost religiously - and we're talking adult adults, celebrated adults - including James Thurber, Orson Welles, John Steinbeck, Adlai E. Stevenson and lyricist Stephen Sondheim.
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'Kukla, Fran and Ollie' occurred in real time and was a benign and bewitching example of pure television.
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'Minute to Win It' is a variation on a game show from the 1950s called 'Beat the Clock,' in which contestants won washing machines and fox stoles by doing such pointless stunts as catching a tennis ball in a paper cup or knocking a hat off one's wife's head with a whipped-cream spritzer.
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Robert Osborne either has the best job in the world, or comes very close. As millions of viewers know, Osborne is the resident host of the great Turner Classic Movies (TCM) channel, the most reliable source of pure enchantment in the cable universe.
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Jerry Seinfeld is amazing in many ways, not the least of them his ability to find humor, and convincing us to find it, too, in the million-and-two details about modern life that under different circumstances might send us into paroxysms of rage.
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I always thought I'd buy my mother a house if I ever became successful - a big, beautiful house on the nicest street in town. It didn't exactly work out that way. I was still borrowing money from her in my 40s.
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People of a certain age look back on the Mayberry of 'The Andy Griffith Show' and become almost as homesick for that simple fictional hamlet as they do for their own home towns.
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'I Love Lucy,' the first classic, really belonged more to the Wacky Woman genre than the domestic sitcom; 'My Little Margie' and 'I Married Joan' were among the shrill, coarse imitations.
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Tom Snyder was born to broadcast. He loved television and it loved him back. In that, he was a member of a vanishing breed, especially as narrowcasting displaces broadcasting, 'online' replaces 'on the air,' and any Tom, Dick or Mary can be monarch of a desktop domain, uplinking themselves to satellites in space.
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Tom Snyder was big enough to fill the night with talk and his own persona. The Snyder we saw on TV was not a replica of the real guy; it was the real guy.
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