American - Musician | March 10, 1947 -
The studio work is the nasty, tedious, hard and nerve-wracking part, interrupted by moments of exhilaration. Playing live is the chance to actually have some fun and get on a stage.
Tom Scholz
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I didn't touch a guitar until I was 20.
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I played in a couple of really crummy bands, including one in the dorm I was in at MIT, for a year or two.
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I don't work out a lead section and practice it for a day and then lay it down. I don't do that. The first time I do something I think is expressive or really cool, that's what's actually on the recording.
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Musical accidents are a gold mine. The thing about accidental discoveries is they won't be made unless you put yourself in a position to make that discovery. To do that means hundreds of hours, days and weeks where you do things and don't discover anything.
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I was basically a dork that hit the books and liked to build things and did all of the things that you weren't supposed to do to be popular. But somehow I ended up onstage, playing guitar in front of everybody else.
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I know everything that you can do with digital processing and digital editing inside and out, but I absolutely refuse to push the buttons and don't even want to know how to load and unload the files.
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I detest computers. If you had a device like that 30 years ago that froze up constantly, misbehaved constantly, lost your information and screwed up when you needed it the most, it would have been laughable.
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I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.
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The music that I wrote and recorded is music that I really enjoy listening to. It's just dumb luck that a lot of other people do, too.
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I heard 'More Than A Feeling' for the first time when somebody came running into my office in the engineering department and said, 'Your song's on the radio in the drafting department!'
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I don't listen to the radio in the car, and I do that because I don't want to be influenced.
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