British - Actor | April 19, 1946 -
My interests and obsessions have always been so wide-ranging that I keep popping my head out of different boxes as much as possible.
Tim Curry
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I find there is something very intimate about being the voice in someone's ear when they're driving.
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I was a huge J.M. Barrie fan as a kid, as most English children are.
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There's nothing more daunting than a musical, but there's also no more direct line to joy. Getting there, though, is like pushing treacle up stairs.
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I've worked in a few sort of 'institutional' theaters - the Royal Shakespeare, the National Theater in England - and they're hopelessly top-heavy with bureaucracy.
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I think that if you get too close to the character, if you do too much historical research, you may find yourself defending your view of a character against the author's view, and I think that's terribly dangerous.
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I think artists are driven by the engine of their own talent, but it's a question of what use they put it to.
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I moved to L.A., because that's where they point cameras at you. And that's what I'd like them to do.
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When I did 'Amadeus,' I hadn't done a play for five years. And I was so happy doing it and felt so foolish that I hadn't done a play for such a long time that I wanted to go back and really kind of reach out for a classical career.
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Any part that makes you world famous has got to be a blessing, hasn't it?
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I'm good at my own company.
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