Danish - Director | April 15, 1960 -
I quite like some of the movies that have many characters in them.
Susanne Bier
MoviesLikeSomeQuiteManyThem
I generally edit quite heavily. In general, there aren't many scenes that are sitting where they sat in the script in the final form.
SittingFinalWhereGeneralEdit
I don't do a lot of rehearsal. I don't like rehearsals. I rehearse the day or morning. I spend one hour and a half with all the actors, and we go over the scenes, and we change it and change the dialogue, and we do a lot of things to it, but prior to shooting, I don't really rehearse.
ChangeMorningDayGoOverShooting
For me, grief is a static thing, and my movies have an extremely dynamic sort of movement.
GriefMeMoviesMovementDynamic
In reality most people aren't as perfect as they want to seem.
PeopleRealityPerfectWantSeem
Oftentimes, reality is much worse than what you can put in a movie.
RealityYouWorseThanMuchMovie
I guess I strongly feel that we cannot pretend that the Third World is not part of our world. We cannot say 'OK, there's that problem over there, let's just close our eyes' - we cannot do that.
EyesWorldFeelProblemSayOver
John le Carre's 'The Night Manager' is a relentlessly exhilarating thriller with profound emotional depths.
NightManagerProfoundEmotional
I've got this fear of becoming comfortable.
FearComfortableGotBecoming
I've had a very fortunate, very privileged life. I say it with all humility because it could change tomorrow.
LifeChangeHumilityTomorrowSay
I think that being Jewish has generated an extremely strong sense of the importance of family. If I look at my Scandinavian colleagues, they don't have that urgency about family. All my movies are about that.
FamilyColleaguesStrongThinkLook
I think the lack of automatically feeling, 'Yes, the future is going to be like the present' - that is very much a Jewish thing.
FutureThinkPresentFeelingJewish
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