American - Actor | December 18, 1964 -
When you see me on TV as Stone Cold Steve Austin, that's definitely a part of my personality.
Stone Cold Steve Austin
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In the ring, if someone hits you too hard, you can only take so many of those, and you have to send back a receipt, meaning 'Hey, settle down.' If a guy has a bad night at the office and catches you in the chin, you pop him so he knows what's going on.
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I didn't do choreographed fighting for a living. I was a professional wrestler for 15 years; there's a big difference.
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Say the average arena is 20,000 people. You're in the very center of that arena, and you're playing to the worst seat in the house up there. So everything is very big, very large. It's like a very violent form of Broadway in a 20x20 ring.
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You cannot put Paul Heyman with Roman Reigns. People would know you're putting Paul Heyman with him because there is a problem.
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Paul Heyman works with Brock. The magic works between Brock and Paul because of their dynamic and their chemistry.
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I think they've got to give Kevin Owens a run with the belt. He's a veteran, and he's really clicking on the mic, and the kid is super talented.
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They made a three-hour 'Raw,' but two hours is about my time limit. I ain't got that kind of attention span.
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I like pure pro-wrestling, when it's serious in its orientation and presentation - like it's a legit sport with Jim Ross calling the action.
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It's like I tell everybody, if you get a chance to win the Royal Rumble or the King of the Ring back when they had it, that means you're gonna get a push. You getting an opportunity at something big, and it can really set up your future for you. So if you're that guy, boy, it's pressure.
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The thing that's so tough about 'Broken Skull Challenge' is you're going head-to-head with another human being who may or may not be stronger than you and may or may not want it more than you.
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I don't know if a pro wrestling career prepares you for Hollywood. When you get out there, and you're in an arena for 20,000 people or 90,000 people, it's a lot different than being on a quiet set with 100 people, so I think you get used to dealing with cameras.
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