English - Writer | November 24, 1974 -
I was trying for years to woo people through humour, but it seems flash cars are much easier.
Stephen Merchant
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The reason I keep talking about a wife and saying the word 'wife' on stage is because it seems a funny word to me. The more you say it, the more it seems to detach from that person and become this sort of abstract thing: that you would set out to find a wife, that it would be an objective like buying a new car.
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Once I began doing stand-up, I didn't get a kick out of the applause or being the centre of attention - but I did get a kick out of the jigsaw puzzle aspect of it, searching for the right bit, adding another few pieces each night until the bigger picture appears. That's the appeal: the challenge of it.
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I've always been a fan of physical comedy. It kind of hits you in a different way; it bypasses the intellect and hits you in the gut.
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I've jokingly said that everything I'm doing now is filling up the hours before I die, but I do feel that slightly. I have no religious beliefs so this is the ride. This is it. So I'm just like anyone, I suppose, trying to fill out the days in the most interesting way possible.
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I wish I could write 'Taxi Driver,' or 'Blue Velvet,' something brave, audacious, dramatic and dark. I don't know if I have the darkness in my own soul to be able to tap into it, unfortunately.
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I guess as you get older you sort of see the mechanics, even with the best comedians. There's admiration for people I admire, but it's not guttural laughter. It's a wry 'Oh, well done, sir.' But I sort of miss that slightly; I miss the raw joy of comedy I used to get.
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I suffered when I was in my late twenties and early thirties. I was awkward, I stuck out, I was nerdy.
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When I was a teenager, I met a comedian who I admired, and he was very rude to me. That's why when people come up to me I try not to be rude. I don't want to name who he is, but it really put me off watching his stuff since.
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I have experienced bad dating and ineptitude with women all across the globe, from Vietnam to Paris. When I was 21, women were an enigma; they were this code that had to be cracked. They were 'The Other.' I have often thought writing this stuff into stand-up and shows would be an exorcism, but it hasn't been; it makes no difference.
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A lot of my comic influences are distinctly American: Woody Allen and Bob Hope, for example. They were always the underdogs who were using wit to sort of battle their way through. And it seems to me that a lot of contemporary U.S. comedies are shot through with losers. None of the characters in 'The Big Bang Theory,' for instance, are studs.
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Maybe there's a sort of veneer of optimism about U.S. comedy, whereas perhaps in England, we don't mind ending it on a sourer note.
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