American - Actor | December 16, 1961 -
I think, in big-budget movies where everything seems so poured over and restricted and the studio wants to examine every frame to make sure it's vetted properly, you lose a little bit of playfulness.
Shane Black
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For me, the stamp that I impose on stuff comes from the fact that in the '80s, when I was starting to write movies, I looked back to the '70s. So the films I enjoyed as a kid were the thrillers that came out of the '70s. Back then, you didn't have action movies; you had adventure films or thrillers.
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'Lethal Weapon' sold apropos of nothing when I was very young, but that was a very different market.
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The reason I took on directing a film myself was because, no matter how skilful a director was or how much I liked the film, there'd always be beats where I'd go, 'Oh... well, that's skilful, in a way, but it doesn't get the flavour I'd intended in the script.'
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I love the notion of the feckless sort of knight in tarnished armor who would love to fill the shoes of the legendary hero but just can't. And then find a moment when they do. And I love the idea that there's a myth waiting for each of us to occupy.
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I just want to write movies. And I try very hard.
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I'm the kid in school who always, you know, got the straight A's. I got to be that, you know, alpha aggressive work-ethic guy. And to have people assume that I was just this blithe, in-your-face guy writing crap, tossing it off, garnering insane amounts of money, and laughing all the way to the bank - frankly, I guess I got sensitive.
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I would say 'The Chill' by Ross Macdonald is sort of a prototypical example of how the private detective genre elevates itself to the level of literature.
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I go back to read 'Tarzan' books every now and again or 'John Carter,' and you realize Edgar Rice Burroughs is not a great writer by any means. But he was a great storyteller. You wanted to see what happened next.
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Writing is tough. It's insanely obsessive work.
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