American - Journalist | -
George V. Higgins's 'The Friends of Eddie Coyle' (1970) added an extra literary layer to the con novel; James Crumley's 'The Last Good Kiss' (1978) influenced countless writers and will be remembered forever for its opening line, quoted often in obituaries of the author.
Sarah Weinman
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Though written in the 1970s, 'Falling Angel' is firmly set in 1959.
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To understand the current state of mind of both Sara Paretsky and her private detective alter ego, one must first roll back the clock to 1982, when Victoria Iphegenia Warshawski took her first investigative bow in 'Indemnity Only.'
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Despite the volatile mixture of family, politics and past misdeeds darkening the present, 'Hardball' doesn't have the sharp tang of the early novels or the expansive reach of more recent series installments.
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'The Lost Symbol' has much to impart about the mind-body problem as filtered through the work of Peter's younger sister Katherine, who more than dabbles in noetic science, or 'leading edge research into the potentials and powers of consciousness', according to the website of the real-life Institute for Noetic Science, based in Northern California.
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First, a confession: I liked 'The Da Vinci Code.' This news is even more of a surprise to me than it might be to those who, years ago, heard me quip that I quit reading it because 'the moment the albino assassin came through the door, I left.'
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There are two ways to approach the writing of a mystery novel: adhere to the rules, or break them with glee.
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Though 'Child's Play' is ultimately more concerned with subverting storytelling expectations and satirizing the expected trajectory of traditional mystery, Posadas does embed some insights about the writer's responsibility to the reader.
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Walter Mosley was not the first black crime writer, nor was he the first to fuse genre conventions with larger social concerns. But when 'Devil in a Blue Dress' introduced the Los Angeles-based private detective Easy Rawlins nearly 20 years ago, it was clear the author set out to stretch the boundaries of the mystery and thriller framework.
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The 'Vampire of Ropraz' claims to be based on a true story, but the name of Rosa's father matches that of a notable Swiss artist and restorer. The eventual suspect has the overlong teeth and shambling menace of a would-be vampire, but Chessex leaves the real possibility of his guilt an open question.
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Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't dwarfed by truth? The question loomed large as I began reading 'The Black Tower', Louis Bayard's third foray into historical fiction and fifth novel overall.
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The make-believe world of 'The Black Tower' succeeds by broadcasting larger truths that might otherwise elude us.
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