American - Actor | December 23, 1980 -
With Irish drama, things are told with humor.
Rory O'Malley
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The theatre community is so powerful.
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Los Angeles is where I became an actor.
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After I graduated college, I moved to L.A. I started working for the Garry Marshall Theatre in Toluca Lake and did theater at the Hudson Theatre in Santa Monica. I paid my dues by working at every single restaurant in the Grove until they fired me. I worked an overnight shift at the Mondrian Hotel.
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As someone who was once in the closet, I can tell you it is the most sad, dark, awful, depressing place to ever be.
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Elder McKinley wants his homosexuality to be turned off. To be a perfect Mormon, he has to put his feelings away.
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Life comes before the business.
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There comes a point when you have to be more than an actor, and doing something else that means a lot to me has actually made me a stronger actor. It's stimulated something else in my brain and heart.
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I obsessively listened to all of James Lapine's shows as a child growing up in Cleveland and had every cast recording and every VHS tape of 'Into the Woods' and everything that James had done that I could get my hands on.
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I think that, as an actor, you fight so hard to get work for years that when it actually comes, you just are so grateful. I am so happy to get to do what I love.
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I was eight when I played St. Joseph, and I told my mom from that moment on I wanted to be an actor.
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Irish music in the local pubs was my first exposure to musical expression, and I feel like Irish music is very close to musical theater because it is always telling a story.
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