Indian - Director | -
There are many critics who invite me on their show, and I have told them that when my film releases, you will give it one-and-a-half star rating. That's fine. There's no issue because stars will matter when I'm planning to open a five star hotel. When I'm making films, I don't need stars.
Rohit Shetty
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When I see films like 'Lagaan' and 'Rang De Basanti,' I feel, 'Why can't I do work like this?' Then you think and realise you need to learn more to make this kind of a film or write this kind of a film. Also, somewhere down the line, you need to be brave.
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If you know where you stand, and your minus and plus points as a director or as a human being, you will never go wrong. You will always be successful.
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My grandmother and both my parents worked in Bollywood.
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Jokes apart, people are constantly asking me, 'What are you doing for the industry?' When one makes a blockbuster, you plough back money into the industry. If my film makes 100 crore, I'm not taking the entire sum home! It gets distributed between the exhibitors, distributors, producers and actors.
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I'm God's chosen child. I don't worry or carry anything extra to feel the strength. I've always felt the power of God beside me. Your strength lies in instilling honesty, truth, and sincerity in you.
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Hema Malini and Nutan were my childhood crushes! I met Hemaji once when dad took me to the set of a film. Both these ladies stole my heart with their beauty and grace.
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All my films have been criticised, but here I stand with six superhits and three 100-crore films!
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Film making is an expensive, as well as a serious business. We should be able to entertain our audiences, who are fully aware of what they want. Every filmmaker has a different point of view and presents facets of society.
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People in the metros are busy making ends meet, but through my films, I like to give the reality of life a skip, and choose concepts which will give audiences a stress-free two-and-a-half hours.
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My films are larger than life.
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Even the multiplex audience wants this flavour. No big-budget film can be a commercial hit until it does well both at multiplexes and single screens. 'Ghajini' and 'Dabangg' are examples.
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