American - Musician | February 14, 1957 -
There's no performance where I never have to think about setting up a phrase or making a technical adjustment while I'm performing.
Renee Fleming
PerformanceThinkNeverUpWhere
I'm rarely singing in English.
SingingEnglishRarely
I'm American. I'm eclectic. I'm going to follow my musical passions. And if people don't like it, and it hurts my legacy, I'm not going to worry about that.
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I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
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Being steeped in the process of learning and exploring keeps me from becoming too nervous. Partly it's about not getting bored.
LearningMeProcessNervousBored
I don't want to record anything unless it can be great and genuinely interesting.
GreatInterestingWantAnything
I want to get out of the major opera houses.
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
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I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.
MusicSimpleResearchDoingHours
I was always a very good student.
GoodStudentAlwaysGood Student
Everybody's a work in progress. I'm a work in progress. I mean, I've never arrived... I'm still learning all the time.
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Certainly, jazz has become more of a niche, which is surprising, because it's our music. It's the national music of America.
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