American - Director | April 15, 1977 -
It's a very tricky job we have as DPs, where you are expected to make something that really is an emotional art but also needs to be technically spot on. You're often given a very small window of time to achieve it. People sometimes expect it to be even quicker and forget that there's a schedule for a reason.
Reed Morano
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'Meadowland' was the reason I got 'The Handmaid's Tale,' and probably my experience in cinematography helped. Everything was like a stepping stone to the next thing.
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The way I'm used to telling a story is by looking through the viewfinder and being really close to the actors.
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Ultimately, the idea of being able to escape and lose myself in a new world every time I go to 'work' was too appealing to ignore.
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Out of 10 projects I get sent, seven or eight are female protagonists, and that's not the only thing I'm interested in.
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I do think it's unfair for women who get pegged with creating fare for other women.
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I like movies as a viewer that challenge me to actually think rather than spoon feed everything to me.
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A lot of people who are in charge in Hollywood are women, so they have the power. Now, I've met a lot of these amazing women who are offering opportunities to other women, and they're awesome. But for the women who maybe haven't done that yet, it's like, why?
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'The Handmaid's Tale' is a very special story.
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Sometimes you come up with an idea when you're going out for a job, and then when you actually get into dissecting the world, you end up changing your approach, just because that's the way art goes sometimes.
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