German - Composer | July 19, 1974 -
Most of the time, I'll be conducting the orchestra, but there will be some pieces that I'll be playing an instrument as well, just because I love playing. There's pieces where I want to grab an instrument and play with the rest of the group, like 'The Light of the Seven,' for example; I would love to play the piano for that.
Ramin Djawadi
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What I love with 'Game of Thrones' is, every season, I get to continue to develop the existing themes; every season, I also get to write new themes.
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In 'Westworld,' I really got to explore new areas, stylistically. We had the Indian world, we had Shogun world, so I got to play with new instrumentation - and also, a lot of new themes.
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With 'Game of Thrones,' the most dominant instrument would definitely be the cello. That's something I just felt really captured the mood of the show very well.
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I feel choir just has a great sense of power when used with an orchestra, or even by itself.
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The piano is not really in the language of the 'Game of Thrones' score.
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The piano has a huge dynamic range that almost no other instruments have. It can play very low, and it can play very high.
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I love performing on my own scores. I do it quite a lot.
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What I love is that 'Game of Thrones' is always up for surprises.
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I love getting time to write a piece of music that can settle in and set the tone of the show.
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It's always daunting to start from scratch, but it's exactly what I love about my job.
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What's amazing about 'Game of Thrones' is that it's set in a fantasy world; it's a fantasy story. So I always say that with the score, we're open to do whatever we want.
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