American - Actress | May 31, 1990 -
Now, when building a show, I ask myself the question - like, 'Jumping off this table will be really cool, but can I do that eight times a week?'.
Phillipa Soo
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I'm definitely not as good as people who consider themselves beatboxers.
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I will say, I can definitely throw down a sick beat once in a while and provide an amazing backup track for somebody who can really, actually freestyle.
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That's kind of just the nature of our business, is that you're really putting a lot of energy and time and care into something that isn't necessarily going to last forever.
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It's the coolest job to be on Broadway.
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You can't avoid the conversation of diversity and remembering that diversity goes beyond race and culture. It goes into gender and sexual orientation and all sorts of things.
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I really love being in a room and developing work.: being at the table, looking at the script for the first time, and putting a story on its feet.
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We try to find the information, the clues, to unlock the play or the story or our characters, especially when they're based on real people that live and breathe.
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The way theater can bring people together is so powerful.
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It wasn't until 'Hamilton' that I began to be considered an actor of color, and I really don't know what to make of it.
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The only musicals I've really worked on in New York are new musicals, and I like the idea that my job as an actor is also that of a detective, archaeologist, and mystery solver.
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I'm trying to look into each character and try to realize her as someone who is also me.
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