American - Producer | September 11, 1965 -
I always tell Brock Lesnar the truth. I don't appease Brock Lesnar. I don't placate Brock Lesnar. When Brock Lesnar asks me for an opinion, I give to him an honest opinion that I'm willing to back up with facts, with theory.
Paul Heyman
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Shane Douglas's work in the first 11 months as The Franchise of ECW was so groundbreaking. He made people forget about his on-air persona in WCW and successfully reinvented himself as The Franchise in ECW.
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The whole concept of ECW was that the biggest star of the promotion was the promotion itself. It didn't matter if a persona was designed to elicit cheers or boos. It didn't matter if someone was an antagonist or protagonist. The whole concept was to fight for the honor of the cause. The cause was ECW itself.
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People are remembered for defining moments in their career.
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Shane Douglas accomplished quite a bit in and for ECW, but his career will forever be defined by the moment he threw down the NWA Title.
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If you look at who emerged on the horizon 12 to 18 months after ECW stopped running shows, I think it's very reasonable to believe that we would have picked up CM Punk and several of the other young stars that emerged in the independent scene in the early part of that decade. Punk obviously is the one that I would hope I would have noticed.
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I never envisioned multimillion-dollar offices for ECW.
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Triple H is one of the greatest in-ring performers of all-time.
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Kurt Angle is an Olympic gold medalist, one of the greatest in-ring performers of all-time.
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Goldberg is authentic. What you see is what you get, and he's a wrecking machine.
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Goldberg was as close to a cultural icon as WCW ever produced.
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I'm not someone who concerns himself with whether people pay to cheer Roman Reigns or whether people pay to boo Roman Reigns. People pay to see Roman Reigns. They pay to react to Roman Reigns.
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