American - Author | June 30, 1971 -
I always wanted to write a book that would have people talking, theorizing, arguing.
Paul G. Tremblay
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Marshmallows are kind of weird. I'm not a huge fan. I mean, they're fun when they get molten and melty at the end of a stick, but I always burn my mouth because I'm not all that smart or patient.
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Any day in which I get writing done is ideal to me.
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There's no objective reason anyone can point to that proves a horror story is innately inferior or that it's doomed to fail as a work of art because of it being horror. Anyone saying otherwise is being intellectually dishonest.
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I feel like too many horror writers and filmmakers sort of just assume that the default is, 'The horror movie must be all atmosphere first and everything else second.'
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I'm certainly no hardcore backpacker, but I do enjoy being out in the woods for a few hours.
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If what needs to get done is going to get done, then I can't screw around with the luxury of writing rituals or waiting for pristine writing conditions to magically materialize.
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'The Cabin at the End of the World' is my riff on the 'home invasion' subgenre of horror/suspense. Hopefully it's a big, loud, dark riff.
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As an adult, I've learned to cope and pull the plug on the worst what-ifs before my mind takes me to a place from which I can't return.
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'A Head Full of Ghosts' was my first full horror novel, and that felt like coming home as a writer.
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I want folks to take horror seriously.
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Ambiguity is a big part of this post-truth world we're living in.
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