American - Actor | June 19, 1984 -
In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.
Paul Dano
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I sort of grew up doing theater. And that's how I got into film, actually.
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I like a restaurant called Bruci, and there's some really nice people who work there and good food. They change their menu a lot, so maybe that's what keeps me coming back. I never know what I'm going to get.
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I'd always been fascinated by people who allow themselves to be so rude and irritated and foul-mouthed and hostile, but usually you can sense there's something vulnerable beneath them - a shield they use to protect that vulnerable side. Finally, when they expose that soft spot, it's kind of touching.
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I mean, to feel in good hands as an actor... it's the best feeling.
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Listening to hard rock on the subway doesn't work for me, especially modern hard rock. Driving in L.A. helped me to understand the appeal of that music.
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There's a lot of people that I would love to work with. There's a lot of different kinds of parts I wanna play. As your career progresses, you hope that you get some more opportunity or some more choice.
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I love Brooklyn; it's a part of who you are.
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New York is kind of a mythological city in may ways.
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I don't like to spend a lot of money on haircuts: I'll sometimes grow my hair and get an acting job and get them to cut it for free. I think for a lady, though, it's okay to spend a lot on a haircut.
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Spring and fall in New York are the best seasons here to get out and about. I like the little park in Dumbo between the Manhattan and Brooklyn bridge. I like Prospect Park.
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'Little Miss Sunshine' was really important to me.
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