American - Actor | January 9, 1974 -
If I could remake any Eighties project, it would be less an action flick than a character-driven drama with a rich story to tell.
Omari Hardwick
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Like anybody who grew up in the Eighties, I cringe at the thought of these movies being remade, because of the corniness and cheesiness of the originals.
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If I can just be thought of as Omari Hardwick who had a really, really solid career, and whose work is appreciated in its own right, I think that would be a great legacy to leave behind.
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It's rare for artists to really stare deeply at themselves in the mirror, literally, because there's constantly a mirror on you.
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I don't think there's a fan out there who hasn't had a family member or known someone personally who's been in the midst of divorce - perhaps not necessarily gotten the divorce or executed it, or perhaps they have - and still, in many cases, they found themselves back with the person that they were married to.
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I grew up in Decatur, Georgia. We had three boys in the household; actually, it felt like four of us. My pops sort of raised my uncle, too. So, it was four boys and, later, a younger sister.
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I grew up in a two-parent household. We all played sports, all sports, which cost a lot of money. My pops was an attorney; he went to College of the Holy Cross with Clarence Thomas. My mom worked a bit, then gradually came home and took care of us full time.
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I don't make a big deal out of playing football at UGA to people who have interviewed me.
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Unlike many Californians or New Yorkers, college football is a religion down south.
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'Power' is a funny thing. Maybe it's a show that draws people in because they are watching people do things they secretly wish they could do or know they could get away with.
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On 'Being Mary Jane,' I learned to embrace sex symbol.
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I realized, 'Oh, it's easier to get what I want if I embrace the sex symbol thing.' Microphones are more in my face, and I can say things about the kids that I mentor and open more access to more doors.
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