American - Actor | November 8, 1914 -
I was clearly brought into the whole thing about acting by my mother. She loved the theater. She had a very pleasant singing voice, which she used to sing for her ladies' club.
Norman Lloyd
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Karl Malden! A dear, dear, dear friend. I loved Karl. He was great.
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I loved working with Renoir on 'The Southerner.' Oh, I loved it! I particularly loved when he had a scene with a cow going through a garden, and he wanted a little dog to come and bark at it and chase it out.
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I was in my second year at NYU. I knew what I wanted to do, and I just walked out of college. So, from the age of 17, I've been able to do what I wanted, and that makes for a kind of contentment, a fairly pleasant demeanor.
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As far as 'St. Elsewhere' goes, I just loved that show.
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I'm very fond of Amy Schumer. I think she's terrific, an enormous talent.
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Peter Weir is remarkable. He can do anything.
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There were little Charlie Chaplins that you would wind up, and they would walk. I remember vividly. I was sitting in the high chair with the little tray in front of me. My parents would wind it up, and it would walk to me.
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I imagine I was supposed to become a lawyer or something. But this was the Depression; the lawyers I saw were all driving cabs. So I thought, 'Well, if I'm going to be badly off anyway, I might as well be badly off in the theater, where you get used to it.'
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Some of the movies I did - well, you have to feed your family.
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Connie Bennett, the guys used to stake her, she was so good.
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When I think back on it, it's amazing what happens to us as we move out into the world.
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