English - Actor | December 6, 1975 -
Generally, an indie film in the U.K. is put together much like in the states. We got a tax credit. You sell the domestic rights, which can be quite low, but it's enough to push you over the line. And you get a tax credit on top of that, and then you cobble it together with private equity or gap financing and things like that.
Noel Clarke
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My past films came out on home entertainment in the U.S., so the next question was, how do we get a theatrical in the U.S.? Well, you put a monster in it. That will do it, because people love monster movies.
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When I wrote 'Kidulthood,' I didn't even know there was going to be a 'Kidulthood.' I just wanted to test myself to see if I could write a script.
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I wouldn't say that I'm a jack-of-all-trades, master of none, but I wouldn't say that I'm brilliant at any.
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'Pulp Fiction' blew my mind; beforehand, I'd watch films and there was a beginning, middle and an end, and that's it. There is in that film, too, but it's out of sequence.
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I just started to write because I was fed up of not seeing the stories that I wanted, so I was like 'Stop moaning and write something.'
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I don't like doing things that are too easy.
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I couldn't tell you the ratio, but probably for every job you see me do, there would be 20 rejections.
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I don't think anyone expected me to get the BAFTA. The bookies didn't have me down. It's definitely made a huge difference in my career, but I don't dwell on it.
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I think that's important for all ages, to not be afraid of being an individual. I grew up on my own, as an only child, so early on I think I was quite capable of making decisions by myself and being an individual.
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