American - Actor | June 4, 1971 -
To be sandwiched between Jane Curtin and Bob Newhart for a couple weeks is phenomenal.
Noah Wyle
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I'm a product of the city for sure.
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If I didn't have a family, I don't know that I would never not be in a hotel room working.
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When I was in high school, I wrote a play that I sent off to a competition that took second place. I got a check for a hundred dollars. I never cashed it, because obviously it was worth way more than a hundred dollars.
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I find directing so incredibly rewarding and challenging and humbling and exciting and engaging. Scenes become challenging. Actors bring out the best of you. Circumstances demand you dig deep.
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Any time I go to a hospital, the doctors treat me like an equal, and I'm terrified I'll be in the delivery room, and the doctor will say, 'Noah. Noah, why don't you get a hand in here?' and I'll pass out or throw up and be horribly embarrassed.
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With any project, but especially in television, I always try to look at where the character is starting from and where he's going to end up, and try to find the biggest arc that makes it the most exciting to play.
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I grew up on all the 'Star Wars' movies and 'Star Trek' and all that. I just haven't really kept current.
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Science fiction, in its purest form, for me, it works the best when it's being used as metaphor to look at something from a one-step-removed process, to give a little objectivity and insight into something that, if you were applying it on the face of it, we'd all be too close to.
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I remember somebody asking me in an interview years ago if I would be interested in playing Jason Bourne. I laughed: I didn't think anybody would want to see me run around with a machine gun. It always stayed in the back of my head that I had reacted like that. It bothered me.
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'Falling Skies' was mostly night work in winter in Toronto. It was cold and wet, and we were filthy.
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A cameo in 'Doctor Who' would be kind of cool to have on my filmography.
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