American - Author | August 18, 1974 -
The accolades, just like the scrapes and bruises, fade in the end, and all you're left with is your ambition.
Nicole Krauss
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The more freedom I allow myself as a writer to wander, become lost and go into uncertain territory - and I am always trying to go to the more awkward place, the more difficult place - the more frightening it is, because I have no plan.
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When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.
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I think of novels as houses. You live in them over the course of a long period, both as a reader and as a writer.
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I'm the opposite of someone like David Grossman, who knows how his characters walk, and how they smell. I don't allow myself to imagine what mine look like at all. My sense of them comes from the inside. They remain, by necessity, physically vague in my mind.
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You can't imagine how hard I am on myself. Nothing pummels me like my own doubts, the feeling of how far I still have to go.
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I always wrote little things when I was younger. My first opus was a book of poems put down in a spiral notebook at five or six, handsomely accompanied by crayon illustrations.
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I read like an animal. I read under the covers, I read lying in the grass, I read at the dinner table. While other people were talking to me, I read.
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I used to think that if I had a choice between writing well and living well, I would choose the former. But now I think that's sheer lunacy. Writing weighs so much less, in the great cosmic equation, than living.
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To hike out alone in the desert; to sleep on the valley floor on a night with no moon, in the pitch black, just listening to the boom of silence: you can't imagine what that's like.
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What interests me in writing a novel is taking really remote voices, characters, and stories and beginning to create some kind of web.
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I take almost no notes when I write. I have one notebook - this old green leather notebook that my dad gave me a decade ago.
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