English - Novelist | 1972 -
I think lots of boys sat down with 'The Three Musketeers' and felt it was a really long book, but then discovered that it's a really gripping swashbuckling story.
Nick Harkaway
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There's a saying in the movie industry that if your movie is about what you actually think it's about, you're in big trouble. I think it's the same with books.
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My dad and I compete on the pool table; that's the most important competition of our lives. The fact that I'm writing and it works for me is one of the great joys for him. We talk about writing, and it's great.
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I grew up on the Roger Moore and Sean Connery Bond movies, so the DNA of my spies is extremely ridiculous and goofy.
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I don't do a lot of research, exactly, but I'm constantly wandering through the world finding things incredible and remembering them.
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After university, I went into film. I started out making tea, managed a brief stint as an assistant director, then found myself writing a screenplay. In the end, I wrote quite a few - but by January 2006, I wanted out.
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Suddenly, the idea of writing a book was like coming home. I didn't tell anyone except my wife, Clare. I just began.
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There is not now, nor I suspect will there ever be, a le Carre novel with ninjas in it. Most serious novelists are wary of including ninjas in their writing. That's a shame, because many much-admired works of modern fiction could benefit from a few.
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I'm not shy, exactly, but I am private. I don't like to talk about myself. I had to learn - I was interviewed for print, radio and even TV.
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My reading of history is that we continually inherit trouble.
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I'm fascinated by human agency - by the process of decision, both in the individual and the mass.
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I studied revolutions at university, and I think each revolution must begin with a moment of 'no.' If enough people have that moment at the same time, it becomes a movement.
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