English - Musician | April 15, 1924 -
I would like new people with new ideas to come into it and change it.
Neville Marriner
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The awful thing about a conductor becoming geriatric is that you seem to become more desirable, not less.
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As you know, there are certain languages that lend themselves very easily to vocal use.
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Before, we may have taken part in it without even thinking it was American Jewish, but in this case, I think, you have now perhaps pointed us in a direction of a new interest in this repertoire.
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But the most important test is to take them on tour and see if you can bear to spend time with them.
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I think the quality of something like the Beveridge, for instance, will have a life of its own.
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I think we were all frustrated with our daily routine.
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If the (British) Arts Council give you money, they also tell you how to spend it.
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If we perform the romantic repertoire we need more musicians.
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Initially we performed in halls with capacities of 1,000.
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Most Beethoven symphonies require 80 or more instruments, and the late romantics even more.
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Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.
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