American - Poet | April 26, 1966 -
A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history.
Natasha Trethewey
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Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
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I think the biggest thing that I have to do is to remind people that poetry is there for us to turn to not only to remind us that we're not alone - for example, if we are grieving the loss of someone - but also to help us celebrate our joys. That's why so many people I know who've gotten married will have a poem read at the wedding.
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When kids look at broccoli, they call it 'little trees,' because they see it not just for the word 'broccoli.' They see it for what it looks like, the image. We, as adults, forget to think like that. We forget to think figuratively and have to be reminded.
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The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
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My name is Natasha Trethewey, and I was born in Gulfport, Mississippi, in 1966, exactly 100 years to the day that Mississippi celebrated the first Confederate Memorial Day, April 26, 1866.
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I want to be the best advocate and promoter for poetry that I can be.
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The experience of poetry could bring my mother back to me. Poetry offers a different kind of solace - here on earth.
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My father, Eric Trethewey, is a poet, so I had one right inside the house. And on long trips, he'd tell me, if I got bored in the car, to write a poem about it. And I did find that poetry was a way for me, I think as it for a lot of people, to articulate those things that seem hardest to say.
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When I write notes in my journal, I'm just trying to scribble down as much as possible. Later on, I decide whether to follow some of those first impressions or whether to abandon them.
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The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world.
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The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about.
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