American - Musician | March 15, 1986 -
There are a lot more variables with festivals than just playing in a venue.
Natalie Prass
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If you want to make something of yourself, you have to just do it relentlessly.
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When I made dog sweaters, as goofy as that was, I made this product, and people could buy it, and I got money immediately. Music was just this ethereal land of maybe, a lot of waiting and waiting. You live your life around hoping you get a five-thousand-dollar royalty check that usually doesn't come.
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I think it's just my personality, or maybe just because I've been playing music for so long and working so hard at it, that I don't expect anything from it anymore. I just do my work and then hope that it works out.
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Nashville has pushed me to improve constantly as few other places could, and I'm grateful for that.
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I'm definitely someone who's really picky about who I work with and how I want things to go, because I have a high standard of integrity for my music. I want it to be genuine.
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After graduating college in 2010, I got to work - writing and co-writing all the time, playing and touring in bands, playing for other people's bands, working in coffee shops all over town.
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I don't think I'm the most talented musician or the best singer, but I work really, really hard.
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My dad gave me the 'Introducing Dionne Warwick' album when I was, like, 14. It was the first time I'd heard Burt Bacharach's songwriting and her voice, and it rocked my world. She's such a great singer and communicator. It really helped me shape my own style.
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I'm really into the 'classic' thing - the craft of writing something that will last, that won't die by next year.
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I had a fairy shrine in my room, and I went to fairy LARPing camp, and I played Dungeons and Dragons in the woods.
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Audrey Hepburn is a huge influence on my style. She's classy, confident, and simplistic. She's a tomboy and also super feminine.
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