American - Director | June 2, 1958 -
The holidays are a rough time for the homeless, but it's a year-round problem we have to solve.
Mike Binder
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Books are a little better movies than just screenplays because there's more fat on the bone. There's more character development. There's more stuff to pick from.
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I have a spot on the horizon that I'm trying to hit: To write and direct adult dramedies. First of all, there's really not a big market for them. Second of all, it's like cracking a diamond. You've got to do it right.
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From very early on, I had always wanted to be a stand-up comedian. It was my passion; it was my goal. It was a world I was simply infatuated with. So, as soon as I could, I moved out to L.A. chasing after my dream.
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I've done a lot of dramedies in my career. You know, I started as a standup comic, and then the movies that I was doing, like 'Up Side of Anger' were kind of like - they're hard. They're hard to sell; they're hard to get made, you know.
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I just kind of went from being a standup, one-man band, to then kind of breezing back and working with other people. And now I'm just trying to be a legitimate guy who pays the rent, you know.
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I think everything benefits from a little comedy. The worst thing to me is to see a great drama or a great thriller with no laughs.
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I am an entrepreneur in the entertainment industry. Somewhere early on when I couldn't get something I wanted through the system, I threw up my hands and tried to figure a way to get it done myself. A lot of it came from my upbringing. My dad was an entrepreneur.
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I never once had a regular paycheck. Not for more than six weeks in a row and for the most part not even that. I still haven't. The notion of some whistling kid with a mail cart coming down the hall and handing me my weekly paycheck is something I've only seen in Matthew Broderick movies.
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Early on, I joined that large group of show business cadets who were 'multi-hyphenates,' 'independents,' 'self produced' or 'alternately financed.' Sometimes, most times, I've had to do it all: raise the money, write the script, produce, direct and act in the film.
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In another time, another world, each studio made 200 movies a year and had 20 executives. Today, a studio makes less than 20 movies a year and has 500 executives. They own too many parking decks and too many billboard companies. They're awash in overhead, and it's pinning them down, and they know it.
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My movies don't make any money, and they don't really light the world on fire. But I'm really lucky because I've gotten them made.
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