American - Author | October 23, 1958 -
I think that not only do saints make poor role models, they are incapable in one sense of identifying radically with those of us who are mere mortals. Martin Luther King, Jr.'s mortality says to us that here's a figure who got up every day of his life facing tremendous odds and yet overcame them.
Michael Eric Dyson
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I suppose that I inherited the same vocabulary and world view as most black Christians do, most Christians in general, to be sure. It was heterosexist in the sense that it took the heterosexual orientation as the norm from which to start as the given. And everything that fell outside of that was not acceptable.
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There is no conscious choice of heterosexual identity any more than there is a homosexual one. The last person in the world who wants to be homosexual, for the most part, are homosexuals.
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In the barbershop, there's democracy. You're a professor; you're an engineer; you're a garbage man, have at it. You got something to say, get down with it.
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By denying its musical and artistic merit, hip hop's critics get to have it both ways: they can deny the legitimate artistic standing of rap while seizing on its pervasive influence as an art form to prove what a terrible effect it has on youth.
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Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.
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Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.
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There are huge divorces and divides and chasms in black America between the have-gots and the have-nots, between the monied and the poor, between the educated and the non-educated. And there are huge and growing chasms daily. And I want to say that it's not simply about generation. It's about genre.
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I don't think you can bury words. I think the more you try to dismiss them, the more power you give to them, the more circulation they have.
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Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
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When you see the misogyny of hip-hop, it's so horrible, it's so putrid, it's so, you know, odious, that we know, we smell, we see it. The misogyny that is reified, that is reinforced, that is subtly reproduced in corporate America or in church life or in synagogues and temples and the like, is sometimes more subtly dealt with.
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If you take a guy like a Barack Obama, who's raised millions of dollars from the most donors in the history of this nation, it suggests that there's a deep and profound hunger for a new politics to come forth. And a guy like him has been able to mobilize that and to reach certain parts of the hip-hop generation.
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