Dutch - Musician | May 14, 1996 -
I would love to work with Pharrell one day. Like, my biggest dream.
Martin Garrix
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The bigger your songs get, the bigger the festivals you play at will be, until you make it to Ultra. It happened super quick for me. I'm still in shock, actually. I have to pinch myself a lot.
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I wanted to have a label to not only release my own stuff but to also give young talent a chance to release their music without signing away their life. I had a great time with Spinnin', and the people I worked with were amazing, but the contract wasn't really for me. It wasn't what I wanted.
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For me, having a balance between work and personal life is very important.
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I always try to evolve my sound - innovate, improve, be different but still Martin Garrix. It all starts with an idea in my head, which I work on until it starts to shape itself into a track.
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I like making all kinds of music, it really depends on the moment. Sometimes I feel like making a weird trap song, and sometimes I can't even attach a track to a genre.
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I want to produce more number one hits but not follow trends blindly! What I really hope to achieve in the long-term is to get that cross-over status such as Calvin Harris and Avicii. I'd love to be a household name in pop music.
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Before I realized what was happening, everything blew up. I made 'Animals' when I was in high school, and literally, from that moment, I've been living a different life. I've been touring a lot, traveling a lot, doing great shows. I've been in the studio with my biggest idols.
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Tiesto is legend. I've been in the studio many times. We did a tour together; I jumped onstage with him, he jumped onstage with me. Still, every time, I have to pinch myself and realize this is the guy who made me start doing what I'm doing right now.
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It doesn't matter how tired I am; I will always still be happy. As soon as you go onstage, you get adrenaline. You hear the crowd: they're screaming your name. They have posters. The energy gives you energy.
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I'm not sure if I'll make the Europeans feel bad, but I'll say it like this: The U.S. crowd is even better than the European crowd.
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My parents even let me switch schools, to leave my regular school to go to the producer's school, because I told them producing is what I love to do, and it makes me happy to share my music and my passion with others. I was dreaming to go to that school. I begged them. They were like, 'Yah, know what? If you are happy, we are happy.'
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