American - Novelist | June 28, 1947 -
Marxists are people whose insides are torn up day after day because they want to rule the world and no one will even publish their letter to the editor.
Mark Helprin
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If it wasn't for music, I would think that love is mortal.
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I've never had a cup of coffee in my life. I can't even remain in the same room with coffee.
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When I was very young, I used to clean up after my parents. If I stay in a hotel, I make the bed and clean the room when I get up, even the bathroom mirror, for which I carry a tiny bottle of ammonia.
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In an interview, I lose control even of what I am, for it is the interviewer who edits me, finally, into what he thinks I am, and never have I been happy with someone else's version of my life after that person has spent an entire two or three hours fathoming it.
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My father was famous for his photographic memory. He was in the OSS. They trained him to be captured on purpose and to read upside down and backwards and commit to memory every document in Germany he saw as he was being interrogated - every schedule on every wall. So, that photographic memory somehow made its way to me when I was young.
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I have jumped out of airplanes but I was not technically a paratrooper. I was an infantryman and a night fighter, anti-terrorist.
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The thing that strikes you most about being a soldier in a war zone and in action to the small extent that I was, when actually people start shooting, which happened to me a couple of times, everything goes on automatic and there's a feeling of tremendous elevation and even elation.
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The craftless anarchy of the Beat poets on the one hand, and the extreme control of Henry James on the other, suggest that for most human beings, just as both freedom and discipline are necessary in life, serendipity and design must coexist in a work to make it readable.
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I wrote a great deal of a novel, 'Winter's Tale,' on the roof of a Brooklyn Heights tenement on Henry Street. I was a technical climber, and now and then I would put down my manuscript and get up to walk along parapets and climb walls and chimneys.
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Barnes & Noble is able to publish price-reduced non-copyrighted works not so much because it saves the 10 percent to 15 percent of revenue that would go to the gruel-eating authors, but because it saves the 50 percent that would go to the publishers.
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'Freeing' a literary work into the public domain is less a public benefit than a transfer of wealth from the families of American writers to the executives and stockholders of various businesses who will continue to profit from, for example, 'The Garden Party,' while the descendants of Katherine Mansfield will not.
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