American - Director | December 7, 1976 -
The realm of making microbudget stuff will always be totally in our control. Most of the time, we just pay for those out of pocket. Then there is stuff that's too expensive for us to pay for, and we want partners on, like 'Togetherness' and 'Animals' and some of our original Netflix movies.
Mark Duplass
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We built a business for ourselves just out of hard work, and I think people really want to hear from us about that.
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I played acoustic guitar so intensely, for so long - for nine hours a day as a 10-year-old, writing songs through the night, on tour constantly from when I was 19 - that I destroyed my arms and shoulders in the process.
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I consistently go to therapy and work on this one issue. I've devoted an hour every two weeks to ask, 'How do I be a workaholic, do what we love to do, and not die of a heart attack, destroy myself and my family, and keep my friends?'
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I think that 'Room 104' offered us an organic opportunity to tell all kinds of stories with all kinds of protagonists.
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I'll do any kind of movie, as long as it's a good version of it.
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When you're improvising, it's fun to find something that you can lean on that is similar to your life experience. In my opinion, that's very helpful.
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'Somewhere in Time' is in the top-five cheesiest movies ever made. It's super melodrama.
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I'm interested to see what happens to Spike Lee with limited resources, you know? I love Spike Lee's movies. But you know what? I kinda liked his movies when he used to scramble and fight more for them.
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They're each on separate coasts but I think that the deep Maine woods shares some similarities to the Pacific Northwest.
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If you're locked to the words on the script, as good as those scripted words are, if you didn't have the time to rehearse them correctly or if the perceived dynamic between the actors is different from what the writer imagined, and you're not allowed to stray from that, you're going to have a stilted scene.
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I question every move. I'm constantly second-guessing myself.
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