American - Musician | October 7, 1966 -
If it's a real bad score, then it can ruin a movie for me, or, at least, it will draw a lot of my attention to the score.
Marco Beltrami
MeAttentionBadWillRealScore
I sort of enjoy being able to hear what other composers are doing and how they might score something differently than me. I enjoy that part.
MeDoingEnjoySomethingScoreAble
To me, music is music, and it's not limited by the medium; it just encompasses everything.
MusicMeEverythingJustLimited
I have to admit that I really don't care for horror movies all that much. I think mainly just because I'm a cheap scare.
ThinkCareAdmitJust BecauseMovies
'The Homesman' is my third collaboration with Tommy Lee Jones as director, and each time, I am aware of how fortunate I am.
TimeI AmCollaborationDirectorHow
I think of each movie as a puzzle. The fun is in solving the puzzle: finding a musical identity for the picture, however that can be summed up.
FunIdentityPuzzleThinkPicture
The thing that struck me most after first viewing 'The Sessions' was the charm of Mark O'Brien and the intimacy that the director, Ben Lewin, manages to capture perfectly on screen. I did not feel forced or cajoled in any way into believing the story.
MeStoryFeelBelievingWayCapture
There's this whole other element of film scoring, which is the social and psychological side of how you're dealing with people... And that is not always in sync with what's right for the picture.
PeoplePictureYouRightAlways
When I think of Morricone, more than his using a specific instrument or a specific sound, it's his way of approaching music that sticks out.
MusicThinkWayMoreSoundOut
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