American - Actor | February 16, 1974 -
I think that black people, to a degree, need to have a certain level of dexterity. If we want to be at the highest level of whatever our field is, we have to be able to navigate both worlds. We all just know that you gotta be able to put that suit on and have a conversation with people that don't look like you or your family.
Mahershala Ali
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I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
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If you're not careful as an actor, you can find yourself, at a certain point, a little bit bored.
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I really love Tom Hardy. He makes really interesting choices.
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I think Don Cheadle has always done great work.
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Viola Davis is a perfect example of somebody who's so much better than the parts she has the opportunity to play.
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I do think that there are people who are able to connect with and empathize with anyone who is going through something difficult, just naturally. I don't think it's a world of effort for everyone.
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I think selfishly, as an actor, we always want to do more.
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I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
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Before I got into grad school, I used to work as a deck hand on these ferry boats in San Francisco, and they did day tours. It wasn't a bad job. I made decent money. But you were sitting down all day, tying up the boat, wiping it down. For some guys, that's a dream job, but for me it was kind of torture.
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I don't want to say I took myself too seriously, but I put a lot of pressure on myself coming out of school. I saw so many people leave the business behind, certain opportunities disappear for folks who had to go into other professions. That kind of terrified me. As a result, I wanted things to happen really quickly.
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I got my Equity card right out of NYU grad school in 2000, doing 'The Great White Hope' at Arena Stage. I played Jack Jefferson. It was an amazing part to walk into, to carry that responsibility for that amount of time. The challenges and the breadth of that role were pretty amazing.
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