American - Musician | July 31, 1981 -
If you're going to put out a record just to get a No. 1 and then forget about it after the first week, it's the tail wagging the dog: it doesn't make any sense.
M. Shadows
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We want metal to be dangerous again. How cool would that be?
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I recall us selling out L.A.'s 5,000-capacity Gibson Amphitheatre and flying straight to Germany to play a 300-capacity room where we'd only sold 120 tickets. This was when 'City Of Evil' was really taking off in the U.S., but it seemed like Europe was less interested.
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We go out there and kill it every night, and you can see what this means to people.
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I'm glad that we can add something new to the fold that Metallica's not going to bring to the table, and they're going to do what they do.
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When you think of rock and roll and metal, a lot of it is based around the riff. If you can sing over the riff and what the arrangements are going to be like, you have to leave space for what most people consider one of the most key essential parts, which is the vocalist.
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We like to wait to a point where we have to get in there and write a record because we're just so built up.
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If we can inspire a kid to pick up a guitar - and less and less kids are doing so these days - it'd be really cool because I know how it felt growing up and how special that was for me.
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We do a lot of things that kind of annoy people and our fan base. We try not to get overloaded on it. For us, that means we don't do social media stuff - we have an Avenged Sevenfold social media, but none of the band members have Facebooks or any sort of Twitter.
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The first Maiden record I ever got was 'Piece of Mind,' and I only got it because I thought the artwork was cool, and everyone talked about Iron Maiden. But they weren't necessarily the most popular metal band in America for a 12-year-old kid when I discovered them.
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The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.
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If I was to play any song for anybody asking, 'What is metal about?' I'd just play 'Master of Puppets.' The progressions and the bridge are brilliant.
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