American - Musician | March 18, 1981 -
When the major labels didn't work out the first time around, it taught me not to force things. You gotta let it flow.
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To me, rock and roll is not a perfect science.
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There is a pop element to what I do, but I'm going for a deeper, more left-of-center vibe. That's the sound I've always been looking for.
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You could have written the biggest hit song, and all eyes are looking to you to write another one. It's not a thankless job; it's just an endless job.
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'Pop' is not a bad word. What's more interesting than changing the chemistry in a room in three minutes with a song?
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You go to a studio with a guitar, people are like, 'Oh this girl's going to write this song on a guitar.' Or wants to, or whatever. You go with a ukulele, people are just like 'Eh, well, whatever.' They don't really care. It's a very non-threatening kind of instrument.
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I've written for Rita Ora; I've written for Chiddy Bang - there's been a few.
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With Joe Walsh, that was kind of random. I'd written 'Hi-Roller Baby' for myself while I was at Island/Def Jam; literally, four years later, it got cut. Songs can be around for a long time.
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I do have a little setup at home. I use Pro Tools and a Neumann mic. Neumann's are my favorite.
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I feel like how I live my life is my own political statement.
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I like to make broader strokes with politics in my work.
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When I see someone great live, what I think is, 'I can't wait to hear the record.'
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