American - Actor | October 4, 1967 -
That's really how I got started was doing Shakespeare. When I got out of school, I was lucky enough to meet George Wolfe, who ran The Public Theater.
Liev Schreiber
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I think, the first time I played Iago at the Public Theater, I realized I had a - much to my chagrin - I realized I had an instinct for these conflicted characters, for these torn characters, for these characters who could be described as evil. I wouldn't describe them that way.
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The interesting thing about doing serial television is that the character is growing separate from you, the character and the show are growing, and you get to observe that and participate with it in a way that I think is actually really exciting for an actor.
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It's finding time for each other. That's the trick to any relationship, you know. Finding time to really be present for each other.
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I find old women at weddings and funerals attractive; I have this weird mortality thing.
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The worst bar fights I ever saw were in London. I saw a guy break a pint glass in another guy's face in a club in the Eighties. It was a gay club, too.
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When my grandpa was moved to physical action, you felt utter terror.
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I have the kind of face that people want to punch.
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I have Slavic fat pads that make me look like a chipmunk and arched predatory eyebrows. With that, you're not going to get funny. That's why I play so many bad guys.
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Theater is consistent. You ride your bike to work. You get most of the day off so you can see your kids. My problem is that after three months, I go mad. One of the reasons I never thought I could do a TV show is that I hate doing the same thing over and over again.
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