American - Novelist | June 26, 1969 -
I've drunk Amazon's free Diet Coke. Nothing makes more sense to me than a company trying to make bookselling into a profitable business. I'm not anti-Amazon, and I'm not pro-publishers either. I'm pro-books.
Lev Grossman
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I've stayed in houses that were in the country, and in England, but I'm still not sure that I've stayed in an English country house.
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It's no longer possible to simply build English country houses out of words, because they've already been so thoroughly described that all the applicable words have been used up, and one is forced to build them instead out of words recycled and scavenged from other descriptions of other country houses.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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The year after I graduated college I had a job in a library. When people underlined passages in the library books, or made notes in the margins, the books were sent to me. I erased the lines and the notes. Yes, that was my job.
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I'm not one of your knockabout, knuckle-scarred, Internet-controversy-courting book critics. Occasionally I stumble into controversy accidentally, but not because I enjoy it. It's probably just because I'm a weird person.
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It seems to me that the novel as a medium has a very low signal-to-noise ratio. By which I mean: there are a lot of novels published, but the vast majority of them don't represent major contributions to the medium.
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Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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I got my first whiff of what big-time adult literature was all about when I was in 8th grade. I got it from Mark Linn-Baker. You know - the guy from 'Perfect Strangers.'
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I started thinking about the endings of novels not because I think endings are so important, but because I think they're actually not as important as they're sometimes given credit for.
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Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
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