American - Actress | March 14, 1959 -
I feel very close to Maryann Plunkett and Jay O. Sanders.
Laila Robins
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A lot of my training is in classical theatre; I've done a lot of classical plays in New York and also at the Guthrie and here and there across the country.
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One day, when I was 33, I shifted. I suddenly saw acting as a higher calling. I understood that my goal was to serve the play. And I realized if an actor can make audiences' hearts resonate or make them question their values - that's an important thing to do!
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I often feel that when people have affairs, it has more to do with something they're searching for in themselves than anything else.
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I've paid my dues in the classical trenches.
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Because I was from the Midwest and untrained, I was completely open and ready to try anything. Many of my classmates were cynical and jaded; some already had conservatory training, and they were there simply to get that Yale stamp of approval, which they saw as a career stepping-stone.
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It has always been a dream of mine to put a play on film.
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Often I play, especially on television, a lot of smart lawyer people and cerebral types.
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That's always a fun thing to play, a relationship where there's equals. I often play roles that are repressive, or women who are slightly repressed or having some kind of internal conflict.
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'Heartbreak House' was a lot of fun for me. I must have missed that day at school. I'd never read it or seen it. It's one of those things that a lot of people are familiar with.
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Tennessee Williams is an incredible writer for women because, in many ways, his women characters are him. He writes so passionately.
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A lot of times you come against actors who come from a different direction, and you tend to meet in the middle.
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