American - Producer | August 30, 1965 -
It was very, very important to me to represent a broader swath of humanity that often isn't seen in futuristic sci-fi.
Laeta Kalogridis
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It's always fair to criticize, to question, to engage about things like whitewashing and violence against women and choices of lack of diversity. All those things are really, really a good thing to talk about.
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When you haven't met someone, regardless of whether they're an author or not, when you're taking their work, and you are in some way filtering it or interpreting it, of course there's potential for them to feel that you have, in some way, not lived up to what it could have been.
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To be a working writer is the holy grail, where you don't have three other jobs on top of that.
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Like a lot of people, I sold my first script in graduate school at UCLA, a 'Joan of Arc' for producer Joel Silver.
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Violence in drama is an external contextualization of internal conflicts.
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On one hand, my gender has never been an issue. The issue has always been what's on the page. But the reality is, an awful lot of women fought an awful lot of battles to get me to that place.
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'Altered Carbon' is one of the most seminal pieces of post-cyberpunk hard science fiction out there - a dark, complex noir story that challenges our ideas of what it means to be human when all information becomes encodable, including the human mind.
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Honestly, I would never say, 'Oh, I've decided not to read 'The Left Hand of Darkness' because I've seen 'Blade Runner.' I've decided not to read 'Neuromancer' because I've seen 'Blade Runner.''
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Iconic jobs are interesting to deconstruct through therapy.
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Being a superhero is a metaphor for a job that is overwhelming.
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